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fashion

Portrait: Simona La Torre, Variazioni

Human, Vol. 2, Issue 1

Simona, can you describe your business model? I call it demi-couture, halfway between ready-wear and houte couture: for each model I produce three or four specimens, they are ready-made garments but can be replicated with some variation and/or difference in…

Science and Fashion Design

Circular, Online First

Technology related to yarn and fabric production and related to sewing is constantly improving. The textile and clothing sector benefits a lot from research in many disciplines (from chemistry to computer science and biology), but often in a not entirely…

Fandom Markets

Human, Vol. 1, Issue 1

Fandom of TV, film, or games offers huge potential for themed clothing, but narrow windows of opportunity impose digital production. According to Fashionista, ‘pink it and shrink it’ is still the most-used tactic for designing clothes for women sports fans….

Fashion Trends

Human, Vol. 1, Issue 1

Forecasting is absolutely essential since the entire fashion industry progresses based on trends. In this globalized fashion environment where everything changes very quickly, a common denominator is the trend. In the fashion life cycle, inspiration and design based on forecasting…

Cultural Heritage

Human, Vol. 1, Issue 1

Fashion constantly recycles the past. Textures, colours, decorative motifs, all reappear: but not in exactly the same form, as materials and technology evolve and – above all – because context changes. Design the future through the past It is no…

Circular economy

Circular, Vol. 1, Issue 1

The Circular Economy model ‘closes the loop’ of industrial supply chains to reintegrate energy and waste by-products into the economic cycle. It thus places the spotlight on the potential of re-use, recycling, and renewable energy sources as part of the…

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